Forgotten Colours of the Past

Tom Skillman: Amateur Dufaycolor

An exhibition of the Šechtl & Voseček Museum of Photography

 

Tom Skillman: Vida Skillman beside a car

Dufaycolor additive screen process, colour transparency, 4 × 6 cm image area, c. 1939, State Library of New South Wales, SLIDES 69, record 9PQNlMrn.

From 1935 Dufaycolor was also sold as roll film for ordinary cameras and was explicitly marketed to amateurs. To give an idea of the cost: in Britain in 1936 a six-exposure roll cost 3 shillings 4 pence, with commercial processing adding about another 1 shilling 6 pence. A finished colour transparency therefore cost just under 10 old pence — roughly £3.7 in 2026 purchasing power, or about CZK 105 per exposure.

Tom Skillman: Vida Skillman in beachwear beside a car

Dufaycolor additive screen process, colour transparency, 4 × 6 cm image area, c. 1939, State Library of New South Wales, SLIDES 69, record 9PQNlMrn.

Dufaycolor advertising was aimed directly at family and holiday snapshots. Its contemporary slogan, “Click — and it’s colour!”, promised the simplicity of ordinary snapshot photography, only in colour. The catalogue notes that Tom Skillman photographed his wife at a variety of locations, including beaches. The series therefore matches the way Dufaycolor was marketed: as colour film for ordinary family and holiday photography.

Tom Skillman: Vida Skillman with a cockatoo

Dufaycolor additive screen process, colour transparency, 4 × 6 cm image area, c. 1939, State Library of New South Wales, SLIDES 69, record 9PQNlMrn.

Dufaycolor was still a slow material, around 10 ASA, and worked best in strong outdoor light. After reversal processing, however, it produced a colour transparency directly, and the film was sold in a range of roll-film and miniature-camera formats. For the amateur the workflow was simple: expose the film, have it processed, then view or project the finished slides at home.