Tom Skillman: Vida Skillman beside a car
Dufaycolor additive screen
process, colour transparency, 4 × 6 cm image area, c. 1939, State
Library of New South Wales, SLIDES 69, record 9PQNlMrn.
From 1935 Dufaycolor was also sold as roll film for ordinary
cameras and was explicitly marketed to amateurs. To give an idea of
the cost: in Britain in 1936 a six-exposure roll cost 3 shillings 4
pence, with commercial processing adding about another 1 shilling 6
pence. A finished colour transparency therefore cost just under 10
old pence — roughly £3.7 in 2026 purchasing power, or about CZK 105
per exposure.
Tom Skillman: Vida Skillman in beachwear beside a car
Dufaycolor additive screen
process, colour transparency, 4 × 6 cm image area, c. 1939, State
Library of New South Wales, SLIDES 69, record 9PQNlMrn.
Dufaycolor advertising was aimed directly at family and holiday
snapshots. Its contemporary slogan, “Click — and it’s colour!”,
promised the simplicity of ordinary snapshot photography, only in
colour. The catalogue notes that Tom Skillman photographed his wife
at a variety of locations, including beaches. The series therefore
matches the way Dufaycolor was marketed: as colour film for
ordinary family and holiday photography.
Tom Skillman: Vida Skillman with a cockatoo
Dufaycolor additive screen
process, colour transparency, 4 × 6 cm image area, c. 1939, State
Library of New South Wales, SLIDES 69, record 9PQNlMrn.
Dufaycolor was still a slow material, around 10 ASA, and worked
best in strong outdoor light. After reversal processing, however,
it produced a colour transparency directly, and the film was sold
in a range of roll-film and miniature-camera formats. For the
amateur the workflow was simple: expose the film, have it
processed, then view or project the finished slides at home.